EPISODE 20 - ZIGGY ZAGGER AND WOMEN FOOTBALLERS
By Michael Braccia and Jon Markes
Previously in Leeford Village:
Gail Perkins has still not revealed the name of her accomplice, but Stephen Miller thinks he’s close to a breakthrough. Linda threatens Allen, saying that she will tell everyone about his behaviour if he goes near Sherry again. He says he understands, and she tells him to kiss her. The new rock band start their noisy practice at the vicarage, and Zack causes a problem in his relationship with Clare by singing about a girl called Amanda. Ted has started to sign people up for the new Leeford six-a-side walking football team.
‘Will you just listen to me for a minute?’
‘I’ve nothing to say to you Zack.’
‘Oh, so you are speaking to me then?’
This precipitates a stony silence of the Clare variety.
‘Look, there is no girl called Amanda. She doesn’t exist.’
‘Of course. I’m not going to be corny like the Oldies and say you’re the only girl for me, but you are.’
‘Zack, I do love you.’
‘Come here and prove it.’
‘Oh Zack, how did Ziggy get on?’
He leaves his hands on her shoulders, but hesitates.
‘Hang on Clare, forgot to ask. How do you know Ziggy?’
‘Didn’t I say? He’s my ex.’
‘Listen Gail, you can see what Stephen, er, Sergeant Miller, is like. He won’t give up. You might as well give him what he wants.’
‘Will it really help me?’
‘Of course. You will be charged at the very least with being an accessory. If you don’t cooperate, you might be classed as a co-principal.’
‘What does that mean, Gary?’
‘P.C. Carr to you.’
‘Ok, but what does it mean?’
‘If you are charged with arson, you could get life.’
She doesn’t need to speak. Gary has no need to push. She will tell Stephen what he wants to know, even though it will hurt her.
‘She’s ready then Gary?’
‘How do you know?’
‘You can be as thick as pudding, sometimes mate. The double-sided mirror?’
‘Oh, you were listening, boss?’
‘You do catch on quickly, but I have to say P.C. Carr, you’ve come up trumps this time with your little chat. I thought you were going to ask her out at one stage.’
‘Give me some credit...’
‘Never mind that, I’ll see Miss Perkins in a minute, but you do realise you were talking a lot of legal crap back there, don’t you?’
‘What do you mean?’
‘Principal? What the hell was that?’
‘The main, y’know, criminal?’
Stephen can’t keep the smile from his face.
‘Gary, you really have been watching too many old episodes of Starsky and Hutch.’
‘Fargo – the Amercian crime series. Brilliant.’
‘Whatever Gary, but “Principal” in the UK is not the main criminal. In this country, the Principal is a person who gives another party the authority to act on their behalf.’
‘Ok, I’ve learned something, but it seems to be working, doesn’t it, boss?’ he replies with a smile.
‘I’ll give you this one, Gary, I’ll give you this one.’
He’ll never get through his sergeant’s exams, he thinks to himself.
‘That’s better. Now, this is being recorded and can be used as evidence in court. I am starting the tape now. For the tape, what is your name?’
‘Why did you have a grudge against Jessica Townley?’
‘Two things – first, she came along and ruined what I had going with Nick Allthorpe.’
‘We’ve spoken to Nick. He says it was a casual fling; two or three dates.’
‘I slept with him.’
‘I’m not sure that’s relevant to the case, but I will accept that you became infatuated with him. Is that true?’
‘If you want to put it that way, yes.’
‘And then he met Jessica.’
‘Dumped me like a brick in a canal.’
‘Then why target his girlfriend? He was the one that hurt you.’
‘Don’t know, I just did.’
‘Ok, then there was the hairdressing incident.’
‘Yes, but she paid for that. The money came in useful.’
‘You don’t seem so bothered about that.’
‘I was, until a few months ago, then I met him.’
‘How does he fit into this?’
‘I fell in love with him.’
‘Don’t judge me, Sergeant, but there was a scheme for single women to write to prisoners in jail.’
‘I’ve heard of that. So you became a pen pal to Martin. What was he in for?’
‘I see. What’s his background?’
‘Born in London, his Dad worked at the fish market, his Mom’s Swedish.’
‘The fish market.’
‘No, about his Mom!’
‘What happened next?’
‘We’d written to each other for nearly nine months, and he was due for early release. I met him in a pub in Banfield and I fell in love with him.’
‘Speaks Swedish does he?’
‘Well yes. Why?’
‘No reason, Gail, no reason.’
‘Tea, Sarge?’ interrupts Gary.
‘For God’s sake, Gary, this is not the time.’
‘Sorry Sarge, I’ll do it later.’
‘Gail, who initiated the idea of the fire at the salon?’
‘He did - it’s strange this, but he’d had a run-in with Jessica over some work he did for her.’
‘He’s a trained plumber and he worked on the toilets at the back of the salon. She claimed they kept overflowing after he’d finished the work, got somebody else to fix the problem and didn’t pay Martin.’
‘So, he’d got a grudge against her, and your grudge was with Nick, essentially.’
‘We’re getting somewhere now.’
‘Can I have a break?’
‘No, I’m tired.’
‘Sorry, Gail, I want to finish this. What happened next?’
‘I have knowledge of chemicals. It was a joke at first. You know how it is, over a few drinks. I suggested that we make a timed incendiary device that would fuse two chemicals together, causing a reaction and, well, a fire.’
‘He jumped at the idea. I wasn’t sure at first. I’d already had the money from Jessica – that was easy. She never argued about it – but he goaded me about Nick and finally persuaded me to help.’
‘What did you actually do?’
‘I didn’t make anything. I listed the relevant chemicals, told him how to mix them, and we both researched incendiary devices on the Net. He took control, and I would have done anything for him. Gave him a set of keys for the salon as well.’
‘Do you have an address for him?’
‘Only his Mom’s flat. His Dad died, and it was never clear where Martin lived. I could never work him out. He was strange, but had a way of drawing you in.’
‘Did you know about the drawings and the Swedish phrases?’
‘I heard about them, but Martin never mentioned it.’
‘Where is Martin now, Gail?’
‘I’ve no idea, Sergeant – honestly.’
‘Ok, Gail, you will be charged as an accessory, but I’m grateful that you have finally been honest. Thank you. Gary, that cup of tea would be welcome, wouldn’t it, Gail?’
‘What’s his full name?’
‘Changed it by Deed Poll.’
‘What was his real name?’
‘Right. I can see why he changed it. Bowie fan is he?’
The conversation continues, and Zack is feeling increasingly uncomfortable. They both have exes, but she has brought Ziggy into his band. Does she want him back?
‘Hi Ted, exciting news about the new footy team.’
‘George, I can’t wait to see you in your shorts.’
‘Shucks Ted, bet you say that to all the girls.’
‘I must say I love your enthusiasm, if not the sight of your legs.’
‘What about you, Ted? Are you playing?’
‘Not with my knee. I’ll stick to being Club Secretary and bucket and sponge man.’
‘Hey Ted,’ shouts Cody, ‘what formation do you think Frank will plump for?’
‘Four-four-two, Four-two-four, three at the back with wing-backs...’
‘Hang on Cody, hang on a minute, that would be impossible.’
‘It’s blummin’ six-a-side walking football !’
‘Crikey, Cody - help me out here, George – SIX-A-SIDE.’
‘Oh, sorry, Ted. Agnes says I was at the back of the queue when the brains were handed out.’
Ted responds with a muttered ‘hmm’.
‘Mind you, George, we’ll need a squad. People always drop out at the last minute. Anyway, here’s the man himself.’
‘Hi Ted, George, Cody.’
‘Hi Frank!’ the three men respond in unison.
‘Pint please, Ted.’
‘Have you seen the latest list?’ Ted makes an effort to get the head just right on Frank’s pint.
‘Let’s have a look then,’ says Frank Reed, reaching out for the clipboard that Ted keeps on the bar.
‘Now, let’s see – well done George, Cody, Nick Allthorpe, Steve Adams – good, a bit of youth...’
‘Youth?’ jumps in George.
‘Steve’s only fifty – not exactly in his dotage – and Nick’s only thirty. He’ll be one of the younger players, unless we get some of the students involved.’
‘What do you mean, women?’
‘Are women allowed to play?’
‘Not thought about it. But if they apply, we’ll encourage them to start a ladies’ team.’
‘Don’t know about that,’ says Ted, ‘Sally is thinking about applying. Only a question of sorting out dressing rooms. The school have offered their outdoor five-a-side pitch and the school facilities outside school hours. No problem there.’
‘Oh, I don’t know,’ says a worried-looking Frank, as George and Cody nod their heads in agreement - whether that is with Ted or Frank, no one is quite sure, and Frank continues to grimace.
‘I really don’t know about that.’
Ted has made a dreadful error. He has applied to the Banfield and District Football League which has initiated the walking football scheme. However, the on-line form has two sections, A and B. A is for ‘normal’ football (i.e. teams of eleven) and B is for the new scheme, walking football. A simple matter of ticking box B, but Ted and the Internet sometimes don’t get on. The application is now being processed - for Division Eight of the Banfield & District Football League.
Suptra and Nita make the decision not to go back to India. Gail Perkins reveals her past relationship with Nick Allthorpe and knows who is responsible for the fire at the hairdressers – but is not saying. Allen Gomez, the duplicitous lothario, is confronted by Sherry and Linda. Some of the younger Leeford residents have decided to form a band to enter the talent contest at the Community Centre and The Cross is looking to start a football team.
‘A bit of a Romeo aren’t we Mr Gomez?’
Linda stands with her hands on her hips. Allen Gomez’s usual confident manner had deserted him the moment he saw Linda and Sherry standing in the dim glow of the security light.
‘What do you have to say for yourself?’
Linda is not going to let him leave without an explanation, but Allen’s mouth is so dry he can hardly speak. He smiles instead.
‘And you can wipe that smile off your face!’
Linda can hear in her own voice that of her mother scolding her whenever she had misbehaved. This amuses her slightly, but she remains straight faced. Allen spreads his arms wide.
‘I’m sorry, Linda. I just thought…’
‘You just thought that it would be cool to have both of us on the go at the same time, eh?’
Allen looks down at the floor. He hasn’t felt this humiliated since he was made to stand up in front of the whole regional sales team to explain it was his poor sales figures that had prevented the whole team achieving their bonus for the year. He had resigned shortly afterwards and made a vow to himself that he was never going to work for anyone again. Right now, with Linda Cross moving ever closer to him in a threatening manner, it is difficult to see how he can resign from this situation.
‘Linda, I’m, I feel…’ he stutters. She is so close to him now that he can feel her breath on his face. He gulps.
‘If you ever, EVER, go anywhere near my sister again, then I will make you pay dearly!’
‘I will tell everyone, what a sleazy, selfish character you really are. You understand?’
Allen nods, his forehead almost touching Linda’s.
‘Say it, then.’
He licks his lips which are so dry they are stuck together.
‘Yes, I think you do.’
‘I do. I understand.’
She nods again.
‘Good. Now kiss me!’
A person walking past the vicarage might feel a pang of nostalgia for a gentler way of life as they hear the strains of a Vaughan Williams song coming through Reverend John Peterson’s open study window. Or, they might feel uplifted by a Handel oratorio, or even pause to question the deeper meaning of life after a few bars of a Mahler symphony. But not today. Today, the sounds coming from the vicarage are such as never been heard before in Leeford Village. The sounds of guitars tuning, the opening riff of Times Like These, played through every effects pedal known to man in such a way that would be completely unrecognisable to the Foo Fighters, who wrote it. And then there is the bass, which, if the volume were to be turned up half a notch would dislodge masonry that had weathered many a storm over centuries.
Zack was correct is assuming Clare would know a bass player and Ziggy has turned up and tuned up and is adjusting his strap, so his bass is just above his knees. Unbeknown to Zack his soundproofed room is effective to the extent that no-one in the house can hear him practising his violin (which none of his friends know anything about), or his father tinkering on the piano, preparing for an upcoming service. It is not so effective for an onslaught of amplification. Luckily, Zack and his friends are the only ones in the house and are blissfully unaware of the quizzical looks on the faces of passers-by.
‘Where’s Clare?’ shouts Simon, eyeing the empty drum stool at the back of the room.
‘She’s on her way!’ Simon tries to lip read Zack, but fails and shrugs his shoulders.
‘She’s on her way!’ Zack shouts again. Another shrug.
Zack goes over to Adam’s amplifier and pulls out the lead. Silence.
‘What the…’ says Adam, looking down at his guitar switches.
‘Give it a rest, Adam. I can’t hear myself shout,’ says Zack.
Ziggy goes to pluck another deep note, but receives a look from Adam that causes him to rethink his move.
‘Now I can speak.’
The others put down their instruments, in case the temptation to play gets the better of them.
‘Clare’s on the way. Before she comes, I want us to work out this song I wrote a couple of weeks ago.’ He pulls a folded sheet of paper out of his back pocket and spreads it on top of Adam’s amplifier.
‘It’s a love song…’
Immediately, there is a collective groan from the others.
‘Is it called “Clare” by any chance?’
Zack ignores Adam’s comment.
‘It goes like this.’
Zack proceeds to sing a couple of verses of the song. The others nod their approval.
‘Well, it’s got something, mate, even if it is a love song,’ says Simon. ‘Have you got the chords, so we can have a go?’
‘I have. But, here’s the killer chorus.’ Zack belts out the chorus. When he finishes the others look at each other. Then at Zack.
‘Mate. You’re not really going to sing that are you?’ says Adam.
Zack looks bemused. ‘Of course, it’s the best bit of the song.’
Adam and Simon both look away. Ziggy shakes his head and plucks a low D that sends a framed family photo crashing to the floor.
‘Who, Gail? Who did you meet?’
The name almost escapes from Gail Perkins’ lips, but she checks herself and leans back in the chair.
‘What’s in it for me?’
Sergeant Stephen Miller does a double take.
‘What? What do you mean “what’s in it for me”?’
‘If I tell you who it is. What do I get out of it?’
Stephen throws his hands up in the air.
‘Unbelievable!’ He draws out the word.
Gail has the hint of a smile on her face.
‘I’m serious. If I’m going to give you vital information, information that would have taken you years to find out for yourself, then there has to be something in it for me.’
PC Gary Carr walks back into the room carrying three cups of tea on a tray. He places the tray on the table and passes one cup to Gail, one to Stephen, then sits down with his own cup in front of him.
‘Oh, thank you, Gary.’ Gail takes a sip of tea. ‘No biscuits?’
Gary stands,’ Oh, I’m sorry, I didn’t…’
‘SIT DOWN!’ Stephen slams both hands on the table.
There is an uncomfortable silence before he speaks.
‘PC Carr. Miss Perkins here thinks that we should be rewarding her for the information she holds that will enable us to solve the crime.’
Gary takes a long drink of tea and smacks his lips.
‘Fair enough, Sarge.’
‘Fair enough? FAIR ENOUGH? Give me strength!’
Stephen spends the next silent minute trying to quell his anger and frustration. He takes a couple of deep breaths and, when he speaks again it is with his usual composure.
‘Look Gail. This is the situation. If you tell us who actually planted the device, whose idea it was, then it will help your case when you come to court to defend yourself against whatever we decide to charge you with. If you don’t, then we will have to assume that you carried out the whole operation and that could mean a long prison term.’
Gary drains his teacup.
‘Fair enough, Sarge.’
‘So what is it to be, Gail?’
Clare walks into the music room just as the rest of the band are finishing Zack’s song.
‘Hi! Perfect timing! Well, you are a drummer!’ Zack laughs at his own joke then hugs Clare. They embrace for what to the others is an extraordinarily long and unnecessary time, before Clare sits behind her kit. She makes a few minor adjustments, plays a couple of rolls across the kit and then waits.
‘What are we doing then?’ she asks, drumsticks poised.
‘A song I wrote a couple of weeks ago. You’ll love it. It’s really easy, isn’t it?’
Zack looks around at the others, who are looking glumly at their instruments.
‘Just play a straight 4/4 beat, but rock it up in the chorus.’
‘Ok,’ says Clare, ‘I’ll count you in.’ She clicks her sticks together four times and the band launch into the song. There are two verses and a short guitar solo from Adam, before a rising sequence of chord that leads into the chorus:
And I’m so glad that I met you
And I’ll never forget you, Aman----da.
It is a well-known fact, even to those with little musical knowledge, that in any rock song, once a drummer unexpectedly stops drumming, much of the power in the song is lost. Gradually, the others follow Clare’s lead and what follows can only be described as an awkward moment.
‘Why have we stopped,’ asks Zack. ‘It was sounding great!’
Clare puts down her sticks.
‘Who is Amanda? The girl you wrote the song for.’
‘It’s no one. It’s just something I wrote.’
‘A couple of weeks ago!’ Clare stands behind the kit.
‘Yeah. It’s not about anyone.’
The penny drops.
‘Oh, I can see why you…’
He is unable to finish the sentence before Clare rushes out of the room.
Adam bites his bottom lip. Simon scratches the back of his head.
‘I had to use Amanda. I needed a name with three syllables,’ offers Zack.
It is Ziggy who speaks.
‘I think you’ve just lost your girlfriend, mate.’
Zack’s face reddens.
‘It’s worse than that,’ says Adam, ’we’ve lost our drummer.’